Total Request Live

MTVThe masses don’t lie. As Carson Daily signed off from MTV’s wildly popular Total Request Live (TRL) in 2008, it was Britney Spears and her debut music video Hit Me Baby One More Time that took home the coveted prize as most requested video during the show’s tenure. But who are we kidding, of course it was….

As a solo guitarist, there are seldom experiences similar to that of performing for an engaged audience. You could describe it as being in a ‘flow state;’ communicating and fascinating your audience becomes the only real pertinent task, but before we reach this moment, so many other pieces must come into play. The entire process usually starts in your bedroom. You’ve spent a few weeks chipping away at a song you can’t wait to practice, when suddenly the seed is planted…how cool would it be to play this for someone? You perform it for a friend – and despite your own self-deprecating criticism of that one miniscule slip going from G to C – it was a pretty smooth ride and you’re excited to try it again. Whether you’re contemplating the upcoming talent show or maybe even the weekly open mic in town, there are opportunities for budding guitarists to share their talents…you just need to find them.

This is where I feel a majority of budding guitarists sell themselves short. As someone who was always looking for excuses as to why I wasn’t ready to perform in public, this much is true: there will never be an ideal time. You just have to get out there and do it. Performances won’t always go as expected, but each experience is a learning opportunity for you to refine your sound and increase your comfort level. Remember, it isn’t about trying to be the best player, it’s about enjoying the experience and allowing others to share these moments with you.

Not sure what to play? I’ve been taking lots of requests on the cruise ship, and while I’d say there are very few surprises here, the ones I’ve picked work well when arranged for solo acoustic guitar. Also keep in mind these suggestions are for request-based performance that attempts to appeal to a varied demographic. In most situations, I’d say just play whatever speaks to you!

Red Hot Chili Peppers – Under The Bridge

Bon Jovi – Wanted Dead Or Alive

Beatles – enough said.

Rolling Stones – Satisfaction

AC/DC – Shook Me All Night Long

Guns ‘N Roses – Sweet Child Of Mine

Paul Simon – Me & Julio Down By The School Yard

Crowded House – Don’t Dream Until Its Over

Eagles – Take It Easy, Hotel California, Peaceful Easy Feeling

Eric Clapton’s Unplugged – Layla, Before You Accuse Me, Walkin Blues

Ed Sheeran – A Team

Jason Mraz – I’m Yours

Jack Johnson – Taylor, Better Together

Sam Smith – I’m Not The Only One

Tom Petty (or the John Mayer cover) – Free Fallin

Nirvana Unplugged – Man Who Sold The World, All Apologies

Vance Joy – Riptide

Lumineers – Hey Ho

Johnny Cash – Ring Of Fire

John Mayer – Inspiration/Information

John Mayer has played a large role in my pursuit of music and the guitar. Before a string of failed high-profile relationships and self-destructing interviews, John was simply another guitar player who stumbled upon a recording of SRV and never looked back. His first real foray into song writing took place during a short stint at The Berklee College Of Music in 1998, which is right about the time my older brother pulled up a tab one day on the computer for me try out. It was called No Such Thing.

 I had never heard the song before, and it immediately felt different from anything else I had attempted to learn:

I gotta play this near the 12th fret? Where are the G-C-D root position progressions?

Learning John’s first few tunes was my gateway drug into all things guitar. The opening riff of Why Georgia dressed up a pretty standard I-V progression in G, forcing my right hand to develop a more percussive feel, while Neon became the precursor to my venture into alternate tunings. That tune in particular was a challenge to play and sing at the same time; a great exercise in multitasking. While comparisons to Dave Matthews were being made early on, John seemed to incorporate melody, harmony and rhythm more effectively than Dave.

Then came John’s first Grammy for Your Body Is A Wonderland, which immediately boxed him in as a light and fluffy pretty boy who had charm and could sing love songs. I, on the other hand, knew he had skill set worthy of even the toughest critic’s praise, and as he heads out in the coming days to stand on stage with members of The Grateful Dead, I hope that listeners and critics can embrace the musician that lies beneath all the bullshit that comes with living and failing in the public eye.

I’m not here to defend his personal life by any means. What I would like to do, however, is share with you an insightful lecture John gave at The Berklee College Of Music in 2008. It speaks to the John Mayer that I first encountered, and who has always been around. Entitled Inspiration/Information, John uses his own story to shed light on the art of song writing. I’ve attached the link to Part 1…try it on and if you feel inclined, keep going.

Part 1

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